During August of 1893, the recent publication of a suicide note by a young Englishman named Ernest Clark sparked an impassioned letters-to-the-editor debate upon the philosophy and ethics of “self-effacement”. A missive by the prominent Scottish writer and theatre critic William Archer outraged those of less bohemian sensibilities – including G. K. Chesterton – by … Read moreWilliam Archer on the Ethics and Future of Suicide (1893)
An excerpt from Christel Manning’s excellent essay for the Harvard Divinity Bulletin on how nontheists/atheists, freethinkers et al face their own mortality: We often think of science as cold and hard and value neutral. Max Weber famously wrote of how the ascendancy of science over religion in the modern world has led to “disenchantment.” Yet … Read more“Facing Death Without Religion”
Here’s an excerpt from Stefania Spano’s essay for Hektoen International: A Journal of Medical Humanities on the theme of dark humor in memento mori art: Ruysch’s artistry was matched by his commitment to the underlying science and to using the materials of the dead to teach the living. “I do this,” he explained, “to take … Read more“Laughing in the Face of Death: Ruysch, Dark Humor & Subversion of the Memento Mori in Anatomical Art”
Here is Allison Elizabeth Solso’s 2015 dissertation on the theme of “vernacular memorials”; the often-temporary shrines constructed by bereaved families and friends at the sites of often-violent deaths. An excerpt: My relationship to these spaces was always confused, even as I did my best to maintain respect and some modicum of decorum. The need to … Read more“Beyond Memento Mori: Understanding American Religions Through Roadside Shrines”
James Pallister’s 2018 article for the UK Design Council offers an overview of how modern designers are reimagining and reinventing the experience of death: We’ve had a 50-year experiment with medicalising mortality, with casting it as just another problem for us to treat like any other, and I think that experiment is failing. But we … Read more“Reinventing Death for the Twenty-First Century”
By Tony Wolf During late January of 2020 I returned to snowy Chicago from a three-week long vacation and family reunion in sunny New Zealand. During the trip we’d celebrated my mother’s 80th birthday with a surprise party and also received the devastating news of a death in the American branch of the family. At … Read moreThe Vanitas Shrine: Remembering Death and Seizing the Day
Here is the Spanish poet and playwright Federico Garcia Lorca’s mesmerizing 1933 lecture/essay The Theory and Play of the Duende, as translated by A.S. Kline. Some excerpts: Those dark sounds are the mystery, the roots that cling to the mire that we all know, that we all ignore, but from which comes the very substance … Read more“All that has dark sounds has duende”
By Tony Wolf Several years after staging The New Danse Macabre in Wellington, New Zealand, I had become part of the regular faculty of the Stamping Ground Festival of Dance and the Action Arts in Bellingen, Australia. Stamping Ground was the brainchild of veteran dancer/ choreographer Peter Stock, who wanted to encourage greater participation in … Read moreThe New Danse Macabre at Stamping Ground (2003)
Click here to read the Atlas Obscura’s excellent account as to why the New York City skyline is currently lacking an enormous owl-shaped mausoleum. The early 20th century French architect Maurice Guillemot described Andrew O’Connor’s monumental design in these terms: This gigantic bird of night looms up from its pedestal, a startling apparition, enigmatic and … Read moreThe Might-Have-Been 200-Ft. Tall Owl Mausoleum in New York City
Minister, chaplain and essayist Lynn Casteel Harper’s article for the Paris Review compares the earliest known Dutch vanitas painting – Jacques de Gheyn’s Vanitas Still Life – with her own perspective on the condition of dementia: Wisdom here comes lodged in apposition—pairs of apparent opposites, united by the word and: “a time to be born, and a … Read more“Still Life”