Memento mori/carpe diem perspective from Four Thousand Mondays.
According to ceremonialist Daniel Lev Shkolnik: In the oldest story in existence, Gilgamesh crosses the sea of death in search of immortality. In Greek mythology, Charon ferries souls across the river Styx to Hades. In ancient Egypt, departed souls were thought to travel with Ra on the solar bark to reach the sacred field of … Read moreOdyssey of the Dead (2019)
By Tony Wolf I recently took part in the month-long online course Make Your Own Memento Mori: Befriending Death with Art, History and the Imagination, which was organized and taught by Morbid Anatomy founder Joanna Ebenstein. This course combines extensive and fascinating weekly readings and viewings, lectures, discussions, art and writing prompts and so-on, towards a “final project” of each … Read moreThe Flowerskull Mask: A Thanatopositive Art Project
In Starhawk’s ecotopian novel The Fifth Sacred Thing (1994), the pacifistic, neoPagan residents of San Francisco in the year 2048 must endure and somehow prevail over an invasion by the militaristic Stewards from the South Lands. As part of a multifaceted strategy, the San Franciscans conjure the ritual of “haunting”, in which the friends and … Read moreMaya Greenwood Embodies the Reaper
Eva Aridjis’ 2007 documentary is available for rent or purchase via Vimeo. In more recent years the cult of Santa Muerte has spread beyond Mexico and is now considered one of the fastest-growing new religious movements in the world.
Art Garfunkel’s song Bright Eyes, from the 1979 film adaptation of Watership Down. Author Richard Adams, who wrote the original novel, developed a fascinating matrix of “Lapine” language and a rich mythology, including tales of the Black Rabbit of Inlé. The Black Rabbit serves Lord Frith – essentially a deification of the sun – by … Read more“The Black Rabbit serves Lord Frith, but he does no more than his appointed task.”
A short video memoir by The Atlantic featuring the Northside Skull and Bone Gang, narrated by Bruce “Sunpie” Barnes.
Between the Renaissance Faire Danse Macabre, the Self Help Graphics art center’s influence on the Dia de Muertos and the Grateful Dead, there seems to have been a wind blowing darkly colorful leaves through the countercultural zeitgeist of the 1970s. Here’s the BOC live in 1977: … and in this short video essay, the Polyphonic … Read moreThanatopositive Classic Rock: Inside Blue Öyster Cult’s “Don’t Fear the Reaper”