Odyssey of the Dead (2019)

According to ceremonialist Daniel Lev Shkolnik: In the oldest story in existence, Gilgamesh crosses the sea of death in search of immortality. In Greek mythology, Charon ferries souls across the river Styx to Hades. In ancient Egypt, departed souls were thought to travel with Ra on the solar bark to reach the sacred field of … Read moreOdyssey of the Dead (2019)

The Flowerskull Mask: A Thanatopositive Art Project

By Tony Wolf I recently took part in the month-long online course Make Your Own Memento Mori: Befriending Death with Art, History and the Imagination, which was organized and taught by Morbid Anatomy founder Joanna Ebenstein. This course combines extensive and fascinating weekly readings and viewings, lectures, discussions, art and writing prompts and so-on, towards a “final project” of each … Read moreThe Flowerskull Mask: A Thanatopositive Art Project

Maya Greenwood Embodies the Reaper

In Starhawk’s ecotopian novel The Fifth Sacred Thing (1994), the pacifistic, neoPagan residents of San Francisco in the year 2048 must endure and somehow prevail over an invasion by the militaristic Stewards from the South Lands. As part of a multifaceted strategy, the San Franciscans conjure the ritual of “haunting”, in which the friends and … Read moreMaya Greenwood Embodies the Reaper

“The Black Rabbit serves Lord Frith, but he does no more than his appointed task.”

Art Garfunkel’s song Bright Eyes, from the 1979 film adaptation of Watership Down. Author Richard Adams, who wrote the original novel, developed a fascinating matrix of “Lapine” language and a rich mythology, including tales of the Black Rabbit of Inlé. The Black Rabbit serves Lord Frith – essentially a deification of the sun – by … Read more“The Black Rabbit serves Lord Frith, but he does no more than his appointed task.”

Thanatopositive Classic Rock: Inside Blue Öyster Cult’s “Don’t Fear the Reaper”

Between the Renaissance Faire Danse Macabre, the Self Help Graphics art center’s influence on the Dia de Muertos and the Grateful Dead, there seems to have been a wind blowing darkly colorful leaves through the countercultural zeitgeist of the 1970s. Here’s the BOC live in 1977: … and in this short video essay, the Polyphonic … Read moreThanatopositive Classic Rock: Inside Blue Öyster Cult’s “Don’t Fear the Reaper”