Flower Skull Marottes

By Tony Wolf Since the late 1990s I’ve been sporadically developing a philosophically rational, ecologically sound and communally festive approach to mortality, inspired by the motto memento mori ergo carpe diem – “remember death and therefore seize the day”. My interpretation of carpe diem encompasses Epicureanism as well as the perspective that a meaningful life … Read moreFlower Skull Marottes

“Have a child, plant a tree, write a book.”

I’ve recently been attempting to trace the provenance of this proverb and its many variants. So far, I’ve found it (them) attributed to the Cuban poet José Martí, to the Talmud and to “Arabia”, to Ernest Hemingway, Jonathan Swift, Jeremy Belknap, to Taoism, to Laurence Sterne and to “the religion of the Magi” (Zoroastrianism); I’m … Read more“Have a child, plant a tree, write a book.”

“The Art of Dying Well: A Jungian Perspective on Death and Dying”

This essay from the Jungian Center for the Spiritual Sciences offers a useful precis of, and excerpts from the renowned psychoanalyst’s writing on the subject of death: …death is an important interest, especially to an aging person. A categorical question is being put to him, and he is under an obligation to answer it. To … Read more“The Art of Dying Well: A Jungian Perspective on Death and Dying”

“What it Really Means to ‘Seize the Day’” (2017)

Fiona Macdonald’s essay for the BBC was inspired by social philosopher Roman Krznaric’s book Carpe Diem Regained: The Vanishing Art of Seizing the Day. The essay and book both touch on numerous sources including the Rubaiyat of Omar Khayyam, the artistic tradition of vanitas painting, the memento mori exercises of Stoic philosophy and so-on, while … Read more“What it Really Means to ‘Seize the Day’” (2017)

Black Lives Matter Community Memorial Altar in Rogers Park, Chicago

I first came across this memorial during one of my evening walks, shortly after it was first created. I’ve added a few little things – some pine cones, a sketch outline of an open hand with the initials “BLM” – and it’s nice to see how others are augmenting and re-arranging the memorial day-to-day. Here’s … Read moreBlack Lives Matter Community Memorial Altar in Rogers Park, Chicago

A Seraphite Shrine from “The Last of Us, Part 2”

The Last of Us, Part 2 is a brutal, epic video game experience, set in a post-apocalyptic America devastated by a fungal infection that transforms humans into monsters. Death runs rampant throughout the grueling game-play, both as inflicted by and upon many of the characters and in terms of motivating a seemingly endless cycle of … Read moreA Seraphite Shrine from “The Last of Us, Part 2”

Further Resources re. “Unboxing an Antique Ghost Show”

This post lists some selected “further learning” resources for participants in my Unboxing an Antique Ghost Show presentation via the Atlas Obscura’s Wonders at Home video lecture series. Busting the Ghost Racket Houdini’s Girl Detective: The Real-Life Ghost-Busting Adventures of Rose Mackenberg (2016) I compiled, edited, introduced and republished this anthology of the fabulous Rose … Read moreFurther Resources re. “Unboxing an Antique Ghost Show”

“Why People Think They See Ghosts”

Vox Media offers an easy-to-digest capsule of rational reasons why many people believe in (and sometimes believe that they’ve seen) ghosts, including a short interview with skeptical investigator Joe Nickell. Like Mr. Nickell, Harry Houdini, Rose Mackenberg and numerous others over the past century-and-a-bit, I’ve found no persuasive evidence of ghosts; and, as much as … Read more“Why People Think They See Ghosts”

Thanatopositive Classic Rock: Inside Blue Öyster Cult’s “Don’t Fear the Reaper”

Between the Renaissance Faire Danse Macabre, the Self Help Graphics art center’s influence on the Dia de Muertos and the Grateful Dead, there seems to have been a wind blowing darkly colorful leaves through the countercultural zeitgeist of the 1970s. Here’s the BOC live in 1977: … and in this short video essay, the Polyphonic … Read moreThanatopositive Classic Rock: Inside Blue Öyster Cult’s “Don’t Fear the Reaper”