George Romero’s Knightriders is a messy, eccentric and often quite beautiful celebration of/elegy for the idealistic, bohemian spirit of the 1960s. In this, one of the final scenes, the titular troupe of motorcycle-jousting knights and their friends gather to pay tribute to their fallen “king”, Billy (memorably portrayed by Ed Harris in one of his … Read moreKing Billy’s Funeral (“Knightriders”, 1981)
Glenn Paton’s 2015 short subject dramatizes the notion of the Euthanasia Coaster, first posited by designer Juljionas Urbonas in 2010. Here’s Urbonas explaining the ethos behind his concept of euphoric, ritual suicide-by-machine:
The 1973 movie Soylent Green posits a catastrophically polluted and over-populated future society in which suicide is not only legal but encouraged and facilitated by the state. In the New York City of 2022 (according to this fictional timeline), there exist institutions where people can end their lives peacefully and beautifully. In the full context … Read moreThe Thanatorium in “Soylent Green”
In this clip from Pixar’s modern classic Coco (2017), young Miguel – having been magically and accidentally transported from a crypt in his home-town’s cemetery during el Dia de Muertos – crosses a cempasúchitl bridge between the worlds and first encounters the Land of the Dead. The filmmakers’ visualization of a towering, glowing necropolis in … Read moreThe Land of the Dead in Coco (2017)
In a nutshell … A seminal scene from The Dead Poets Society, in which the extraordinary Robin Williams as the extraordinary John Keating imparts the first of many lessons in unorthodoxy, recalling the finitude of life and seizing the day.