I will be hosting this live Zoom presentation via the Atlas Obscura’s Wonder from Home program on the evening of July 10th (US time), concerning the antique “ghost show” I inherited from my father: The Iowa-based Ghost Factory company manufactured and sold all manner of “spookology” effects during the early/mid-20th century. Some of their customers … Read moreUnboxing an Antique Ghost Show (July 10, 2020)
Here’s a short CBS presentation on the revival of gardening in “cradle graves” at The Woodlands Cemetery in Philadelphia. Established during the mid-19th century, The Woodlands was part of the rural cemetery trend, in which landscaped, tree-lined graveyards established on the edges of cities provided welcome respite from urban noise and pollution. Rural cemeteries became … Read moreGrave Gardening at the Woodlands Cemetery
Leslie Ann Epperson’s 2015 documentary (trailer above) examines the history, personalities, logistics and guiding ethos of Tucson’s acclaimed All Souls Procession. This secular and notably artistic remembrance of death and celebration of life dates back to the year 1990 and has grown from strength to strength – a recent count estimated well over 150,000 participants … Read more“Many Bones, One Heart” – a Documentary on Tucson’s All Souls Procession
Here’s an excerpt from Stefania Spano’s essay for Hektoen International: A Journal of Medical Humanities on the theme of dark humor in memento mori art: Ruysch’s artistry was matched by his commitment to the underlying science and to using the materials of the dead to teach the living. “I do this,” he explained, “to take … Read more“Laughing in the Face of Death: Ruysch, Dark Humor & Subversion of the Memento Mori in Anatomical Art”
This episode of the Artbound documentary series considers the reinvention of the Day of the Dead festival in the USA, particularly via the work of the Self Help Graphics community art center in East Los Angeles during the early 1970s. For much more on this subject, I strongly recommend Regina M. Marchi’s 2009 book Day … Read moreArtbound: “Día de los Muertos/Day of the Dead”
Here is the Spanish poet and playwright Federico Garcia Lorca’s mesmerizing 1933 lecture/essay The Theory and Play of the Duende, as translated by A.S. Kline. Some excerpts: Those dark sounds are the mystery, the roots that cling to the mire that we all know, that we all ignore, but from which comes the very substance … Read more“All that has dark sounds has duende”
Click here to read the Atlas Obscura’s excellent account as to why the New York City skyline is currently lacking an enormous owl-shaped mausoleum. The early 20th century French architect Maurice Guillemot described Andrew O’Connor’s monumental design in these terms: This gigantic bird of night looms up from its pedestal, a startling apparition, enigmatic and … Read moreThe Might-Have-Been 200-Ft. Tall Owl Mausoleum in New York City
By Tony Wolf The evocative yin-yang juxtaposition of flowers and skulls has a curious artistic history encompassing Catholic reliquary, 17th century Dutch vanitas painting, Mexican folk-art, Edwardian art nouveau and ’60s psychedelia. In combination, they offer a startling and provocative alternative to the black-cloaked, scythe-wielding figure of the Grim Reaper, whose imagery is inextricably tied … Read moreThe Skull and the Flower
Here’s a colorful and cheerful website devoted to El Dia de (los) Muertos, perhaps the world’s most colorful and cheerful thanatocentric celebration. As a child in Wellington, New Zealand during the 1970s, I was hardly aware of Latin American culture other than via Spanish-language segments on Sesame Street. That said, I seem to recall first … Read moreThe Day of the Dead
The practice of thanatocentric pilgrimage is too often reduced to tacky “ghost tours” and their “true-crime” equivalent. Fortunately, the Atlas Obscura offers this open-ended list of alternative, off-the-beaten-track memento mori destinations, from Harry Houdini’s grave in Queens, NYC to the Shah-i-Zinda Necropolis in Uzbekistan.