Since the year 2000, artists – notably including Temple originator David Best – have created intricate, elaborate and secularly sacred temple art installations as part of the Burning Man festival. Each year’s design is inspired by a different theme, such as the Temple of the Mind (2000), the Temple of Flux (2010) and the massive … Read moreThe Temple: a Sacred Space for Letting Go at Burning Man
A short item from the BBC on the Charitable Brotherhood of Saint-Eloi, founded as a response to the 12th century Black Death and still burying the residents of over thirty French municipalities, including the town of Béthune. During the French Revolution, the Brotherhood was officially dissolved, but continued its activity in secret until 1802, where … Read moreFrance’s Ancient Burial Brotherhood
Glenn Paton’s 2015 short subject dramatizes the notion of the Euthanasia Coaster, first posited by designer Juljionas Urbonas in 2010. Here’s Urbonas explaining the ethos behind his concept of euphoric, ritual suicide-by-machine:
The 1973 movie Soylent Green posits a catastrophically polluted and over-populated future society in which suicide is not only legal but encouraged and facilitated by the state. In the New York City of 2022 (according to this fictional timeline), there exist institutions where people can end their lives peacefully and beautifully. In the full context … Read moreThe Thanatorium in “Soylent Green”
I have a soft spot for the tradition of Danse Macabre enactments as part of the Renaissance Faire circuit’s grassroots, DIY amusement park vibe. Rather like the modern, American take on the Day of the Dead, that tradition stretches back to the counterculture of 1970s California. The original “Bones Band” was founded by an artist/musician … Read moreThe Renaissance Faire Danse Macabre
Tara Isabella Burton’s 2018 article for Vox examines the development of funeral and memorial practices in the secular sphere: Zuckerman posits that among the people he’s interviewed for his book research, the desire to have a secular funeral isn’t just about not wanting to affirm the existence of a God or an afterlife that the … Read more“What Does Dying — and Mourning — Look Like in a Secular Age?”
Currently exhibiting at the Cube Design Museum in Kerkrade, Holland, (Re)design Death showcases fifty cutting-edge designs on the themes of Preparation, Saying Goodbye, Mourning and Living On and Eternal Life.
Leslie Ann Epperson’s 2015 documentary (trailer above) examines the history, personalities, logistics and guiding ethos of Tucson’s acclaimed All Souls Procession. This secular and notably artistic remembrance of death and celebration of life dates back to the year 1990 and has grown from strength to strength – a recent count estimated well over 150,000 participants … Read more“Many Bones, One Heart” – a Documentary on Tucson’s All Souls Procession
VICE reporter Yuka Uchida investigates the practice of “Well Dying” or “Near Death” simulations in South Korea, wherein participants experience a ritual “death” – including the writing of final letters to loved ones and a symbolic burial – in order to gain perspective on their lives.
Audio as the Realm of the Dead was a 2007 site-specific memento mori sound art project by Victoria Estok: Created as a gift to those who recognize Roosevelt, NJ as their home, this one day sound installation allowed the dead to be heard again and the listener to enter into a realm of shared memory deep … Read more“Audio as the Realm of the Dead”