YouTube documentarian Tom Scott presents this item on the revival of long barrows; Neolithic constructions that might have been churches, graveyards or landmarks, but which are now used as commercial columbaria and as ritual spaces. More at The Soulton Long Barrow and via the Sacred Stones website.
A fascinating documentary on the folklore of the Accabadora (’Lady of Kind Death’) in Sardinia, Italy, where – according to rumor – there existed a tradition of compassionate euthanasia carried out by a special class of women.
Death Differently is cinematic education on innovations in death care featuring death doulas, hospice workers, alternative death advocates, music thanatologists, green burial funeral directors, and many others. The series’ goal is to highlight these individuals working in the emerging – but mostly unknown – death and dying space to challenge death myths that contribute to … Read more“Death Differently”
The notably arts-friendly Green-Wood Cemetery in Brooklyn, New York City has hosted a number of artistic installations including works of sculpture, dance, poetry, photography and ritual.
Existential wisdom from Jamie Wheal, the author of Recapture the Rapture: Rethinking God, Sex and Death In a World That’s Lost Its Mind.
The ironic “fear” of the Halloween season isn’t normally my bag, but I can’t resist featuring this 2015 short horror film by David Schmidt, who had previously directed another horror short – The Lovecraft Syndrome (2004) – starring my wife, Kat. The Underpass is set in our fondly-recalled former neighborhood of Rogers Park and explores … Read moreThe Underpass (2015)
Duende or Struldbrugs? Choose now. Our operators are standing by.
Gaiman has written of his Death character that: The mythology of “Sandman” (…) includes in it seven entities who are not gods, who are not worshiped, but are essentially more powerful than gods, because gods die when they are forgotten, but the Endless are always there, and one of those seven is Death. (…) I … Read moreDeath of the Endless (“The Sandman”, 2022)