George Romero’s Knightriders is a messy, eccentric and often quite beautiful celebration of/elegy for the idealistic, bohemian spirit of the 1960s. In this, one of the final scenes, the titular troupe of motorcycle-jousting knights and their friends gather to pay tribute to their fallen “king”, Billy (memorably portrayed by Ed Harris in one of his … Read moreKing Billy’s Funeral (“Knightriders”, 1981)
As Doug Muder writes for The New Humanist: If you can become part of a collective story, a story that will continue beyond your death, and if you believe in that story and can find a role in it that gets you out of bed in the morning, then death will not undercut the meaning … Read more“Living Without an Afterlife”
During August of 1893, the recent publication of a suicide note by a young Englishman named Ernest Clark sparked an impassioned letters-to-the-editor debate upon the philosophy and ethics of “self-effacement”. A missive by the prominent Scottish writer and theatre critic William Archer outraged those of less bohemian sensibilities – including G. K. Chesterton – by … Read moreWilliam Archer on the Ethics and Future of Suicide (1893)
Hazel Askew, of the folk-group Lady Maisery, on their song Order and Chaos: We have many traditional songs with religious perspectives on death or magical, folkloric perspectives on death, so I wondered if it would be possible to write a song with a scientific, physics perspective on death? Could this be a branch of the … Read moreLady Maisery’s “Order and Chaos” – a Scientific Folk Song About Death
Glenn Paton’s 2015 short subject dramatizes the notion of the Euthanasia Coaster, first posited by designer Juljionas Urbonas in 2010. Here’s Urbonas explaining the ethos behind his concept of euphoric, ritual suicide-by-machine:
The 1973 movie Soylent Green posits a catastrophically polluted and over-populated future society in which suicide is not only legal but encouraged and facilitated by the state. In the New York City of 2022 (according to this fictional timeline), there exist institutions where people can end their lives peacefully and beautifully. In the full context … Read moreThe Thanatorium in “Soylent Green”
Here’s a report by Freethink on London’s Death Incubator, a thanatopositive project combining psychotherapy, exposure therapy and virtual reality simulation. The point is made that the VR simulation can’t possibly represent an “accurate” afterlife experience; that it is inspired by religious traditions and near-death experiences, serving as part of a program primarily intended to encourage … Read moreThe Death Incubator (London, UK)
You can learn more about Designboom’s international Design for Death competition here.
Tara Isabella Burton’s 2018 article for Vox examines the development of funeral and memorial practices in the secular sphere: Zuckerman posits that among the people he’s interviewed for his book research, the desire to have a secular funeral isn’t just about not wanting to affirm the existence of a God or an afterlife that the … Read more“What Does Dying — and Mourning — Look Like in a Secular Age?”
Currently exhibiting at the Cube Design Museum in Kerkrade, Holland, (Re)design Death showcases fifty cutting-edge designs on the themes of Preparation, Saying Goodbye, Mourning and Living On and Eternal Life.