“Are coincidences real?”

English neuropsychologist-turned-freelance writer Paul Broksis writes for Aeon on the history, theory and perception of coincidence: I don’t believe the Universe contains supernatural forces, but I feel it might. This is because the human mind has fundamentally irrational elements. I’d go as far as to say that magical thinking forms the basis of selfhood. Our … Read more“Are coincidences real?”

“How to be a happy nihilist”

Wendy Syfret writes for Psyche on the positive nihilist perspective: Key points – How to be a happy nihilist The rise of meaningless meaning. The search for meaning used to be a noble pursuit, but it’s become commercialised and now inspires more angst than awe. Nihilism as a solution. This is the philosophy that says life is meaningless. Handled with … Read more“How to be a happy nihilist”

A Deep Dive Into the Technological and Ritual Interfaces of the Soylent Green Thanatorium

Scifiinterfaces.com offers this series of in-depth articles analyzing the various interfaces shown in the Soylent Green (1973) thanatorium sequence: When considering this model for the real world, we should take great exception to the no-questions-asked expediency seen in Soylent Green. We would want such a service to be slow, deliberative, and life-affirming, with counseling and assistance … Read moreA Deep Dive Into the Technological and Ritual Interfaces of the Soylent Green Thanatorium

“The People Cheering for Humanity’s End”

Adam Kirsch writes for The Atlantic, comparing and contrasting transhumanism with Anthropocene anti-humanism: The apocalyptic predictions of today’s transhumanist and anti-humanist thinkers are of a very different nature, but they too may be highly significant even if they don’t come to pass. Profound civilizational changes begin with a revolution in how people think about themselves … Read more“The People Cheering for Humanity’s End”

“… with hope that this assemblage of rubble would become a shrine …”

My new article for OnlySky Media is a memoir of my year-long experiment in public art/memorial: In 2015 I moved to Rogers Park, and during the Summer Solstice of 2021 was inspired to join the Artists of the Wall project. I painted my roughly four-foot section of the wall a midnight blue, and upon that field … Read more“… with hope that this assemblage of rubble would become a shrine …”

The “Radical Ritual” Series

In 2017, Burning Man’s theme was “Radical Ritual,” and the Burning Man Philosophical Center project produced a series of essays and interviews exploring the place of ritual in modern society. Here’s a section from Larry Harvey’s introductory essay: Is Burning Man a Religion? “The practical needs and experiences of religion seem to me sufficiently met … Read moreThe “Radical Ritual” Series

“One life: imagining a radical acceptance of death”

My new article for OnlySky explores the philosophy of radical death acceptance via the nontheistic religion of Cavesword imagined in Gore Vidal’s 1954 novel Messiah, tracing the concept back to the garden-school of Epicurus and then to the bohemian counter-culture surrounding the Rubaiyat of Omar Khayyam: The humanist point of view is centered on the … Read more“One life: imagining a radical acceptance of death”

“Will I Go Gentle?”

Dale McGowan writes for OnlySky, the new secular/Humanist multimedia platform, on the vexing question of “what is it like to die?”: There are ways to diminish the fear of death and dying. Epicurus may have been the first to formally note that our existence is bounded by symmetrical eternities. We fear the eternity of nonexistence … Read more“Will I Go Gentle?”

“Inventing Farewell: Poetry as a Mortuary Practice”

I taught a course last semester, at Brandeis University, on elegy and contemporary death practices. This humanities practicum was entitled “Inventing Farewell” because every modern generation must re-invent its relations to the dead. It was a pedagogical experiment. The students in this workshop read contemporary poems to discover what they have to offer a modern … Read more“Inventing Farewell: Poetry as a Mortuary Practice”