The Museo Nacional de la Muerte is one of the few museums in the world to be dedicated to artistic representations of mortality. Visitors pass through a series of themed exposition halls including the Underworld, Pre-Hispanic Vision, the New Hispanic World, Independent Mexico, the Contemporary Age, Popular Art, Calavera Folk Art and Ritual and Funerary … Read moreThe National Museum of Death in Aguascalientes, Mexico
This massive touring festival event has been a sell-out smash in the UK for several years, though of course it’s currently on hold during the COVID-19 pandemic. Festival of the Dead offers a cross-cultural mash-up of secular Dia de Muertos-inspired aesthetics with new circus/new burlesque performance styles; not what you’d call “deep” in comparison with … Read moreFestival of the Dead in the UK
Here’s a gallery of atmospheric video memoirs from the Atlas Obscura’s semi-annual Into The Veil events, which have been staged at the arts-friendly Greenwood Cemetery in Brooklyn, NYC and also at Chicago’s Graceland Cemetery.
Swan Song is a new, grassroots death acceptance/community deathcare festival in Canada. Local events under the Swan Song umbrella are held during late October. Here’s a look at the 2019 event presented by the Cariboo Community Deathcaring Network in Williams Lake:
Here’s the full text of Whitman’s O Me! O Life!: Oh me! Oh life! of the questions of these recurring,Of the endless trains of the faithless, of cities fill’d with the foolish,Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)Of eyes that vainly crave the light, of the objects … Read more“What will your verse be?”
There was a wind blowing through the zeitgeist of the 1970s, here elegized in the classic folk-rock ballad by Kansas.
More details on the Fiesta de las Ñatitas (“Festival of the Little Pug-Nosed Ones”) are available via this 2015 article from The Smithsonian. Interestingly, as with the Mexican Day of the Dead, the Bolivian tradition has been undergoing a revival (and, possibly, some degree of reinvention) since the 1970s.
Eva Aridjis’ 2007 documentary is available for rent or purchase via Vimeo. In more recent years the cult of Santa Muerte has spread beyond Mexico and is now considered one of the fastest-growing new religious movements in the world.
This acclaimed 2003 documentary was inspired by the also-acclaimed 1973 book The Denial of Death by Ernest Becker. Positing that humans’ awareness (and denial) of their own mortality has been the driving force behind civilization, Becker won the Pulitzer Prize for literature and influenced generations of social anthropologists, philosophers and psychologists.
This video offers a sense of how and why, after the devastating tsunami of 2011, visiting an old-fashioned phone booth in the yard of landscape gardener Itaru Sasaki has became a ritual of pilgrimage for thousands of bereaved people.