“The Existential Void of the Pop-Up ‘Experience'”
Art critic Amanda Hess writes for the New York Times on the phenomenon of themed pop-up “museums”, “mansions” and “laboratories” that function mostly as Instagram selfie backdrops: The central disappointment of these spaces is not that they are so narcissistic, but rather that they seem to have such a low view of the people who … Read more“The Existential Void of the Pop-Up ‘Experience’”